Oxford Private Studios has used the past week to continue strengthening the technical and creative foundations behind OPS Radio, with attention now turning from first-wave launch activity to the longer work of platform refinement, user feedback, artist visibility and wider app store expansion. The week has been shaped by a series of practical developments across the OPS ecosystem, including the Roku beta route, the Google Play Store submission, new music activity around Fabian Davison Collins, continued work on OPS Radio’s Xbox and web experience, and the steady growth of the company’s creative roster.
OPS Radio is now preparing to enter the Roku version 6 beta stage, a development which places the service closer to a broader living-room presence. The Roku work remains important because OPS Radio is being built for more than mobile listening. It is being developed as a platform that can follow users across web, Xbox, Android, Amazon-supported devices, Kodi, PC and connected television environments. A strong Roku experience would give OPS another route into homes where listeners already use television screens as part of their entertainment setup. The current beta stage will allow further testing, refinement and review before any wider public availability is confirmed.
The company has also confirmed that OPS Radio has now been submitted to the Google Play Store. More detail on the outcome of that submission is expected next week. The submission marks another significant step in the Android rollout. Until now, Android access has relied on direct distribution and Amazon-supported Android ecosystems, but a successful Google Play listing would make discovery and installation easier for many users. It would also support trust, visibility and long-term scale, especially for users who prefer installing apps through recognised app store routes. The company will provide a further update once the review process has progressed.
This week also brings new focus to Fabian Davison Collins, whose new album Silent Indictment is now available for bookmarking ahead of its 19 June 2026 release. The album has already entered OPS Radio rotation, giving listeners the chance to hear the sound before the wider release date. This approach reflects a broader OPS strategy. Instead of allowing new music to arrive cold into a crowded marketplace, OPS Radio gives projects a running start. It gives listeners time to recognise songs, build familiarity, and understand the tone of a record before its release campaign fully opens.
Silent Indictment has become one of the key creative stories inside the OPS catalogue this month. The record carries a serious tone and has been positioned as a major artistic statement for Fabian Davison Collins. Its arrival on OPS Radio gives the project a dedicated home before release, while the bookmarking push helps convert early interest into measurable demand. For listeners following the OPS catalogue closely, this is the moment to save the project, hear the early rotation, and prepare for the full release on 19 June.
The OPS Radio catalogue also continues to broaden. Tahlia Vybz is now in official rotation, with Dancehall Dominion giving the platform stronger dancehall energy and widening the range of sounds available across OPS stations. This matters because OPS Radio is not being built around one genre or one narrow listener profile. The station network is growing into a larger house for Gospel, R&B, Hip-Hop, Dancehall, Pop, Rock, Country, Americana, Folk, Powwow-Step, Reggae, Urban Grooves and international pop influences. Each addition gives the platform more depth and makes the listening experience feel less like a test product and more like a living catalogue.
Oxford Private Studios has also confirmed that its roster now contains 26 acts, with plans to grow that number steadily to 30. The growth of the roster is significant because it shows how much creative infrastructure now sits behind OPS Radio. This is not simply an app looking for content. It is a platform being built around a growing body of artists, albums, singles, stations and release campaigns. A larger roster gives OPS more flexibility in programming, more material for rotation, and more opportunities to test what listeners respond to across different genres and formats.
The platform itself has continued to receive quality-of-life improvements. Feedback remains central to the current development cycle, especially around the Vault, library playlists, Xbox controls, station presentation and general user experience. Recent updates to the Xbox player and library experience have been shaped by this feedback. The goal is to make the console experience feel clearer, smoother and more practical for long listening sessions. Xbox users interact with OPS Radio differently from mobile users, often through larger screens and longer sessions, so the player, playlist controls and library management need to feel natural in that environment.
OPSRadio.app has also undergone substantial changes across its website experience. The website remains one of the most important public entry points into the wider OPS Radio ecosystem. It explains the platform, routes listeners toward the right access points, and supports the wider marketing push around live radio, platform availability, artist discovery and the free Mythic Bundle beta offer. The recent work has focused on making the site clearer, more consistent and better aligned with the direction of the apps. Oxford Private Studios has treated this as more than a cosmetic update, because the website now carries the responsibility of joining the wider ecosystem together.
The free 12-month OPS Mythic Bundle offer remains one of the strongest calls to action for early users. During the beta period, eligible users can claim 12 months of Mythic access at no cost, a package normally priced at £9.99 per month. The beta offer currently works on Web and Xbox, giving early adopters a reason to engage with the platform while the wider product continues to mature. It is a deliberate incentive for users to come in early, test the platform, explore the Vault experience, use the library features, and help shape the next phase of OPS Radio through real feedback.
Oxford Private Studios is continuing to ask listeners to send feature requests, quality-of-life feedback and music suggestions. Users who want to report issues, request features or suggest music can continue contacting the team through appdev@oxfordprivatestudios.com. This feedback process is not being treated as a formality. It is part of how the product is being built. The company has already used feedback to improve the Xbox experience, address Vault concerns, refine the website and correct interactive features. In the current phase, user response is helping determine what should be fixed, what should be expanded, and which music projects should be brought forward.
The wider direction remains clear. Oxford Private Studios is no longer building OPS Radio as a single-channel experiment. It is building a distribution and discovery environment for its creative catalogue. That includes app submissions, television ecosystem testing, web refinement, Xbox development, artist rotation, beta offers, listener feedback and a growing roster of acts. The work is technical, creative and commercial at the same time. It requires app development, music scheduling, catalogue management, user support, platform compliance, marketing and artist development to move together.
This week’s updates show a company still building in public, still testing, and still responding to the people using the product. Roku beta work is moving forward. Google Play submission is now in progress. Silent Indictment is open for bookmarking and already in rotation. Tahlia Vybz has joined the station network. The OPS roster has reached 26 acts and is moving toward 30. The website, Vault, Xbox player and library experience continue to improve. The free Mythic Bundle beta offer remains live for early users on Web and Xbox.
The next stage will depend on approvals, testing, feedback and listener response. For now, OPS Radio continues to move from launch into platform maturity, one update, one station, one artist and one listener at a time.
OPS Radio.
House of Music.
